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Tips for Mobile Photography | Mornings with Fox 43, WBIR

I trust many of you were able to tune into Fox 43 this am for my segment on ‘Tips for Mobile Photography.’ At the time of writing this I am anticipating that all went really well & hopefully you benefitted from seeing the story. And if you happened to miss it (how dare you… ha!), the below notes are for you as well.

Taking photos with your phone is no laughing matter anymore. Stories regularly surface about how legitimate journalists & photographers are now harnessing the casual yet respected ability of their iPhone to document stories as large as wars (click here for example). It’s little wonder why an entire industry has developed around mobile photography. For someone like myself who makes his living behind the lenses of camera equipment as expensive as my car, I often find my phone’s camera the perfect tool for capturing moments that would go otherwise undocumented. Thus, knowing how to use your phone’s camera is really important. Here are a few of my tips.

MobilePhotographyForBlog

A few helpful links:

Maybe you have questions or have tips you’d like to add, let me know… let’s start the conversation!

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Paris Instagram Photos

Joy & I recently returned from a photography assignment in Paris, France. I know, seems to good to be true, right? It was amazing! We were honored to jump the pond to visit some friends in Paris, the Richardsons, & photograph their beautiful family (more of those pics coming). While visiting, they were so hospitable & generous to show us all around the city. We walked our ‘booty’ off (figuratively & literally) trekking all over the city. If you follow my Instagram feed I’m sure you saw our daily ventures: Notre Dame, The Louvre, Eiffel Tower, Opera House, Sacre Coure & more.

Today I wanted to feature a collage of some of my favorite Paris Instagrams photos from our time there. All of these photos were taken & edited with my iPhone 4S. I should be getting my film scans back this week & I’ll be posting those asap. And, I’m in the process of setting up a shopping cart so that I can respond to many who’ve asked if they could purchase prints from our trip… yes!!! More details to come as well a few additional products I’m designing. I can’t wait to get some of these up in our home.

And if you’re not doing so already, let’s connect on Instagram: @benfinch

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An Introduction to Astrophotography

Welcome to the exciting world of astrophotography!  Ok, exciting may be a stretch…in fact, I felt it necessary to run the idea of an astrophotography blog post by Ben first.  I wasn’t quite sure if he wanted the Finch Photo blog to contain a post with this much nerdiness!  Also, I (Alan) am not acting as part of “Alan and Jenn” for this blog; my wife wants nothing to do with this somewhat obscure niche branch of photography.  However, I’ve actually had some requests for this blog (even some from our friends at Calling Glory), and we here at Finch Photo give the people what they want!  So below I’ll share some insight into how I captured some of these images and some tips for you to start your very own astrophotography career.

The Sun

Normally, you would think of astrophotographers as being a nocturnal bunch, but that’s not always the case.  Since astrophotography is literally photographing the stars, you might as well start with the closest one to us!  Experiment with exposure as aiming at such a bright subject is tricky at best.  Also, consider a graduated neutral density filter which darkens the sky but leaves everything else normal.  I carry around a 2-stop filter with a soft edge which seems to work well with sunrises and sunsets.

 

 

I have found that diffraction spikes, or star spikes, are a personal taste thing.  I happen to like them though.  To achieve this effect in camera, set your aperture as small as possible, aim at a source of light, and fire away.  The above image was taken at an aperture of f/32.  Any point of light in your image will have these characteristic “star spikes.”  The brighter the light source and/or the longer the exposure, the larger the spikes will be.  A few final tidbits:  look for clouds that are high and thin.  As the sun slips beneath them, you’ll be blown away by the color intensity.  Also, check the internet for sunrise/sunset times.  Look to shoot 15 minutes before/after each time.

Wide Field and Tripod Subjects

Shooting the sun is easy, with often spectacular results, but let’s be honest…the nighttime sky is where it’s at for astrophotography.  Fortunately there are plenty of objects in the sky that don’t require complicated telescope set-ups.  There is plenty to capture just using a tripod and normal camera lenses!

 

Taken just the other night, the moon and Jupiter won’t be this close again until the year 2026.  Notice Jupiter’s characteristic red and white bands; these are clouds on the planet’s surface.

On the left is the Milky Way Galaxy photographed from Haleakala.  Can you spot the Andromeda Galaxy?

Taken again on Haleakala, I love how the elevation lets you see the curvature of the Earth.

The constellation Orion, with the easily recognizable three stars of Orion’s belt.  You can also easily see the Orion Nebula.

Star trail image above my house.

Here are some tips for shooting tripod images of the night sky:

  • Make the moon your first subject.  It’s bright, easy to photograph, and full of detail.
  • After getting your fill of photographing the moon, avoid it whenever possible.  It’s so bright that it will all but ruin your attempts to photograph the night sky.  A Google search for “moonrise calendar” will let you know when a new moon is occurring in your area.
  • Search out the darkest sky possible.  If you’re in the East Tennessee area, the best place is on the Cherohala Skyway.  The various overlooks along this road make excellent places to photograph the night sky.
  • Shoot wide angle; 35mm or wider if possible.  This will minimize the rotation of the sky.  Speaking of rotation, you can shoot about a 20 second exposure before it starts to become apparent in your image.  You can get by with as long 30 seconds if you are aiming north.
  • Crank that ISO.  You’ll be shooting INCREDIBLY faint subjects so the more light you let in the better.
  • Stop down by at least one stop.  I know I just said it’s all about gathering light, but lenses aren’t as sharp wide open.  This is especially apparent during astrophotography as your stars can turn into blue blobs.  Stopping down helps alleviate this.
  • The combination of cold nights and long exposures is a battery killer; have fully charged spares on hand.
  • Focus at night is difficult if not impossible because of the lack of light.  To get around this, focus on a distant object while there is still daylight, and then make sure to not change your focus while shooting.
  • The Milky Way is easily visible to the naked eye from a dark sky location.  For best results, shoot it during the summer.
  • Star trails (or time lapse videos) are super easy with some stunning results.  You’ll need to pick up a Remote Timer Shutter Release to make these work.  To accomplish this look, shoot a series of 15 second exposures over a couple of hours (these times can vary).  Make sure there is no delay from the end of one exposure to the beginning of the next.  Then combine the images in a free online program at startrails.de (link)
  • For the very best in what can be done with star trails/timelapse cinematography, look up Tom Lowe’s Timescapes.  His work is so good it will take your breath away!

Deep Sky Imaging

Instead of deep sky imaging, I should’ve called this section “how to spend tons of money” but I didn’t want to be discouraging.  This is the part of astrophotography that most people envision when they hear the word.  These are the types of images that capture nebula, galaxies, and other goodies that often aren’t visible, even with the use of a telescope.  To get these images requires gear…and LOTS of it!  I built up my current collection over a span of about 3 years.  I can remember asking Jenn for a specific piece of gear for Christmas, unwrapping it, and then putting it in a closet not to be used for several years.  I had a plan though, and I slowly put everything together piece by piece.  Below is a cell phone pic of my setup.

The black scope is my imaging telescope.  As you can see, it’s not the huge telescope most people picture in their minds.  It’s about 4 inches longer than a 70-200mm lens and virtually the same diameter.  The white telescope is a guide scope.  When imaging deep sky objects, you’ll be measuring your exposure time in minutes and hours instead of seconds.  Any movement, even something like walking too close to your telescope mount, can cause shaking that will ruin an image.  Therefore, a guide scope is necessary.  The small camera mounted on the back of it locks onto a single star.  As the mount rotates with the night sky, that camera is making sure that star doesn’t move.  If it detects ANY movement, it shifts everything to keep that star centered.

And that is only one of a whole host of things that must go ABSOLUTELY perfectly for an image to turn out.  Then if you do happen to get an acceptable image, you have to edit it which takes just as long and has just as steep a learning curve.  I spent about 4 hours editing the last image I took before I was happy with it.  It’s not so much that you manipulate the image…you just have to go through painstaking means to tease out every last faint bit of detail.  I could literally write for days on this subject, but instead I’ve condensed it to the following tips; follow them and you’ll be a world class astrophotographer in no time.

  • Win the lottery.
  • Marry an understanding spouse.
  • Get used to failure…because you will…a lot!  (As it stands now, I’ve stayed up all night 3 times and due to various equipment failures, come away empty handed.)
  • Don’t enter your 30′s.  Staying up all night becomes exponentially harder if you do.

Here are some of my favorites from the past few years.  Hope you enjoy!

The Leo Trio

M45, The Pleiades

The Horsehead Nebula

M31, The Andromeda Galaxy (After MANY attempts, this was the first image that I was proud of.  Taken over 2 year ago, it remains one of my all-time favorites to this day.)

NGC 7000, The North American Nebula

M42, The Orion Nebula (I feel this represents my best effort to date.  This was my third winter trying to capture this target, but it finally paid off.  Incidentally, if you do happen to purchase a telescope, this should be the first object you view after the moon if you are viewing in winter or early spring.  It’s incredibly bright and easily viewable with even the smallest telescopes.)

So, if you’re still reading this, God bless you!  You may also be wondering why I do it.  Good question!  After all, it’s difficult, time consuming, cold, and comes with a high degree of failure.  Despite all of that, there really is no feeling in photography like viewing the back of your camera after a successful exposure.  The heavens truly do declare the glory of God!  I’m just glad I get to capture a small part of it from time to time.  I’ll see you guys out there!

  1. Milly / Ben! These are incredible! Thanks for sharing.1.27.13 / 5:48 am
  2. Kay Simmons / Um. Wow!3.07.13 / 4:06 pm
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FAQs Part 1… Camera Equipment & Experience

It appears that many of our readers have questions & we were eager to help provide answers to common questions we receive. Our approach is solely based upon what works best for us, thus, it may not be what is most practical for you. However, this will help you get a better idea of who we are & what we do. It will also reveal more about the mechanics and the fun behind-the-scenes antics that happen around here (intentionally and accidentally). I imagine as this series expands, we’ll find creative ways to answer these questions. Enjoy!

1. What camera equipment do you use?

I’m often asked what equipment I use & that’s a bit of a loaded question. I suppose this Q comes mainly from other photographers. The answer, it depends. It depends upon several variables, (i.e. what type of shoot? am I shooting digital or film? or both? wedding? family? commercial, etc.). However, I do have an ‘essentials’ kit (for digital & film) that accompanies me on every shoot as well as additional equipment for more complex projects, essentially meaning that I take the studio to the client. I let the type of shoot & client preferences help me determine whether I’m shooting digital or film. For example, most commercial & editorial shoots, such as home interiors, the client (often a magazine), prefers high-resolution digital images. For weddings, I tend shoot both.

Digital Kit
I’ll start by unpacking my digital essentials kit; On every digital shoot, I take my Canon 5D Mark III & Canon 1-V w/ battery grip (as a backup or supplement although it’s 35mm film). And in many cases I borrow or rent an additional Canon 5D Mark III as a backup as well. I also take (Pictured: L to R) my 50mm f/1.2, 85mm f/1.2, 24mm T/S f/3.5, & 135mm f/2. For weddings, I often borrow Alan’s 35mm f/1.4 as well, mainly for family formals, a wide auto-focus comes in very handy! As you’ll notice, I do not own a zoom lens. It’s not that I do not think they are useful or easier at times; I made a commitment a few years back that I wanted to take the best photos I could. Prime/fixed lenses are sharper in comparison & I figured I could always ‘zoom with my feet.’ I usually have a Shootsac around my shoulder holding my lenses & have a Thinktank memory card holder & extra battery slipped into the bag pocket. Further, I have my Gossen Starlite Light-meter for shooting film. Here’s an iPhone pic.

Film Kit
You’ll see that some of the items of my digital kit are brought on film shoots. It seems to me that my film setup is a bit bulkier & harder to manage at times, but the extra effort consistently pays off. In addition to the Shootsac, I also bring a larger shoulder Contax camera bag (not pictured) to keep my backup camera, extra film, Polaroid back & 120/220 backs/inserts. Below is an iPhone pic of my film setup. My main camera is a Contax 645. The majority (90% or so) of the time, I’m shooting with the 80mm f/2 Zeiss lens. In addition (L to R), I have the 140mm f/2.8, 120mm f/4 Macro & 55mm f/3.5. I use the zip bags to hold different types of film (I have 3, the largest is not pictured). That way I can keep different film speeds/types separated.

Additional Equipment
I’ll refrain from geeking out & going into too much detail but here’s a list of additional equipment including lighting setups. Much of a photographer’s career is found in the ability to solve problems with lighting. Thus, I always want to be prepared to setup a studio on location if needed, although the majority of my photography is done using available light. The following come in necessary when shooting commercial products, wedding receptions, in-studio portraits, etc.

And, the above does not include all the computer equipment (all Apple of course), portable & desktop hardrives, memory cards & film. Geez, this gets expensive, huh?

2. Did you go to school for photography?

Nope, but I often wish I did. I imagine I would’ve learned some things about the darkroom & printing that I am in the process of & have spent years learning about. I read dozens of books a year on photography & am consistently adding to the library. There are thousands of ways to learn photography these days yet nothing beats standing on the shoulders of fantastic photographers who have paved the way. There is still so much to learn.

However, I did go to school & have a Bachelor of Arts in Religion & Communications, University of Mobile; a Masters in Divinity, Mid-America Baptist Theological Seminary; & spent two years in Ph.D. work in the field of Strategic & Organizational Leadership, Regent University (although I did not complete that degree)… sigh. If you want to hear more about this crazy story, we’ll chat over some coffee. It’s been a crazy journey!

3. Do you offer any other services besides photography?

Yes, in addition to Finch Photography, I own/lead The Visible Group, a marketing & design company. Although I spend most of my time pursuing photography, because it’s awesome, we’ve won numerous design awards that we’re quite proud of. TVG focuses primarily on mixed media design (print/web) & branding. I’m also in process of pursuing a few new biz ventures… stay tuned!

I sure hope this has been helpful. Please don’t hesitate to contact me with questions or comments; I’m glad to help.

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We’re Selling Our House!

I’m afraid the rumors are true (we are not aware of any rumors but it certainly makes the intro to this paragraph more interesting). We’ve decided to put our beloved house on the market. It’s hard for me to believe that I’m saying that considering that we’ve turned down a few out-of-town jobs in larger cities because we love our home & our neighbors so much. Joy & I believe in planting ourselves into our neighborhoods & cities & try to make a positive difference for those we are able to share life with. It feels kind of crazy because as Joy & I discuss it, we both conclude that we would be content living in this house for the rest of our lives. However, after much prayer/deliberation & over a year or two of considering, we feel like now is a good time to at least give it a shot. And trust me, there is so much to love about this house… such character, hardwood floors, plantation shutters, it’s exceptional clean… I could go on & on. And just to clarify, we have no plans of relocating, unless God surprises us; we are just considering purchasing a piece of land & building or finding a home that has a bit more land… 3 growing kiddos need lots of room outdoors.

So, if you’re interested in finding out more about the house, know someone who’s in the market, or would like to schedule a time to come by & look around, feel free to email me at ben[at]finchphoto.com. I have a handy flyer too that I’ll be glad to email that shows additional pics, price & the layout of the home. Or, if you’re reading this post & just want to see pics of our home, enjoy! Consider this a tour…. The main living room.

A large informal living room or as we call it, the childrens’ den.       The kitchen & dining room.   Beautiful built-in bookshelf from a local, well-known cabinet maker. The laundry room just off from the dining room & kitchen… lots of cabinets & includes a half-bath. The sunroom, also know to us as the playroom, used to be a screened in porch before I converted it to my office, where I worked from home for a little over a year. Now the kiddos have claimed it for themselves. The amount of natural light pouring in from these windows is amazing!

The guest bathroom. The back bedroom, Molly’s bedroom, which also serves as a guest room.     The middle bedroom, Brennan & Knox’s room.         The hallway. I fashioned a quaint office for Joy in the hallway closet. The Master Bedroom.

Our cute little yellow bathroom.

Our house!

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